Pole Dancing to Gospel Hymns
By: Andrea Gibson
I Do
(sung)
ba bi di ba ba bi di ba ba ba bi ba bii di ba
ba dang a dang dang a dingy dong ding
I do I do I do
dip da dip da dip
ba bi di ba ba bi di ba ba ba bi ba bii di ba
ba dang a dang dang a dingy dong ding
I do...
But the motherfuckers say we can’t.
‘Cause you’re a girl
and I’m a girl….or at least something close
so the most we can hope for
is an uncivil union in Vermont
and I want church bells.
I want rosary beads.
I want Jesus on his knees.
I want to walk down the aisle
feeling the patriarchy smile.
That’s not true.
But I do
wanna spend my life with you.
And I want to know, fifty years from now,
when you’re in a hospital room getting ready to die,
when visiting hours are for family members only,
I wanna know they’ll let me in
to say goodbye.
‘Cause I’ve been fifty years
memorizing the way the lines beneath your eyes
form rivers when you cry,
and I’ve held my hand like an ocean at your cheek
saying, “Baby, flow to me...”
‘Cause fifty years I’ve watched you grow with me.
Fifty years of you never letting go of me
through nightmares and dreams
and everything in-between,
from the day I said “Buy me a ring.
Buy me a ring that will turn my finger green
so I can imagine our love is a forest.
I wanna get lost in you.“
And I swear I grew like a wild flower
every hour of the fifty years I was with you.
And that’s not to say we didn’t have hard days.
Like the day you said, “That checkout girl was so sweet.”
And I said, I’d like to eat that checkout clerk.”
and you said, “Honey that’s not funny.”
and I said, “Baby, maybe you could take a fucking
every now and joke now and then,”
So I slept on the couch that night.
But when morning came you were laughing.
Yeah, there were times we were both half-in
and half out the door, but I never needed more
than the stars on your skin to lead me home.
For fifty years, you were my favorite poem.
and I’d read you every night
knowing I might never understand every word
but that’s ok ‘cause the lines of you
were the closest thing to holy I’d ever heard.
You’d say, “This kind of love has to be a verb.
We are paint on a slick canvas
it’s gonna take a whole lot to stick,
but if we do, we’ll be a masterpiece.”
And we were.
From the beginning living in towns
that frowned at our hand-holding,
folding up their stares like hate notes into our pockets
so we could pretend they weren’t there.
You said, “Fear is only a verb if you let it be.
Don’t you dare let go of my hand.”
That was my favorite line.
That and the time we saw two boys
kissing on the streets in Kansas,
and we both broke down crying,
‘cause it was Kansas and you said,
“What are the chances of seeing
anything but corn in Kansas!?”
We were born again that day.
I cut your cord and you cut mine
and the chords of time
played like a concerto of faith,
like we could feel the rope unwind,
the fraying red noose of hate loosening,
loosening from years of…
People like you aren’t welcome here.
People like you can’t work here.
People like you cannot adopt.
So we had lots of cats and dogs
and once even a couple of monkeys
you taught to sing,
Hey, hey, we’re the monkeys
You were crazy like that .
And I was so crazy about you.
On nights you couldn’t sleep
I’d lay awake for hours counting sheep for you,
and you would rewrite the rhythm of my heartbeat
with the way you held me in the morning,
resting your head on my chest
I swear my breath turned silver the day your hair did.
like I swore marigolds grew
in the folds of my eyelids the first time I saw you,
and they bloomed the first time I watched you
dance to the tune of our kitchen kettle in our living room.
In a world that could have left us hard as metal
we were soft as nostalgia together.
For fifty years we feathered wings too wide to be prey
and we flew through days strong and through days fragile
You would fold your love into an origami firefly
and throw it through my passageways
‘til all my hidden chambers were lit with lanterns.
Now every trap door
every pore of my heart is open
because of you, because of us
So I do, I do, I do
wanna be in that room with you.
When visiting hours are for family members only
I wanna know they’ll let me in.
I wanna know they’ll let me hold you
while I sing…
ba bi di ba ba bidiba ba babi ba bi di ba
dang a dang dang a dingy dong ding
I’m so in love with you
baby, I’m so in love with you
dip a dip a dip ba bi di ba a dang a dang dang
a dingy dong ding
goodbye
Analysis:
I do encompasses much more than just love. It is about the fight for equality(this was written before gay marriage became legal). Gibson is so in love with her partner that the only thing she wants is to spend her life with her partner. But they couldn't because society wouldn't allow it. This poem truly gives definition to what love is.
Love is everything they have together. Because in the end no matter the cause, you want to be there to say. Their relationship was the way we all want a relationship to be. We can tell the truth and experiences the best things in life. The best part of their relationship is real. Because, yes sometimes you have to sleep on the couch because of what you said, and sometimes you are half in and half out the door. But in the end, you will do anything.
Another thing this poem deals with is prejudice.Being gay makes no difference on your ability to do anything. Gibson writes how being makes people say things like "People like you aren't welcome here./People like you can't work here./People like you can't adopt." But what really makes them different? (Nothing.) So they cheated the system instead of kids they had pets, and they turned people's stares into hate notes and folded them in their pockets. Together they fought for what they had.
Their love killed the prejudice they felt because all they needed was each other. Together they were a masterpiece. Together they conquered it all. Only because they needed to be together in the end. They weren't afraid to be who they were. They said "Fear is only a verb if you let it be" and walked proudly on as who they were.
This was the final poem of this collection and I think it was a great choice. It leaves wanting to know where their relationship will grow. It also ends on a seemingly happy note because they are together in the end and so happily in love fifty years from now.