Pole Dancing to Gospel Hymns
By: Andrea Gibson
Pole Dancer
She pole-dances to gospel hymns.
Came out to her family in the middle of Thanksgiving grace.
I knew she was trouble
two years before our first date.
But my heart was a Labrador Retriever
with its head hung out the window of a car
tongue flapping in the wind
on a highway going 95
whenever she walked by.
So I mastered the art of crochet
and I crocheted her a winter scarf
and one night at the bar I gave it to her with a note
that said something like,
I hope this keeps your neck warm.
If it doesn’t give me a call.
The key to finding love
is fucking up the pattern on purpose
is skipping a stitch,
is leaving a tiny, tiny hole to let the cold in
and hoping she mends it with your lips.
This morning I was counting her freckles.
She has five on the left side of her face, seven on the other
and I love her for every speck of trouble she is.
She’s frickin’ awesome.
Like popcorn at a drive-in movie
that neither of us has any intention of watching.
Like Batman and Robin
in a pick-up truck in the front row with the windows steamed up.
Like Pacman in the eighties,
she swallows my ghosts.
Slaps me on my dark side and says,
“Baby, this is the best day ever.”
So I stop listening for the sound of the ocean
in the shells of bullets I hoped missed us
to see there are white flags from the tips of her toes
to her tear ducts
and I can wear her halos as handcuffs
‘cause I don’t wanna be a witness to this life,
I want to be charged and convicted,
ear lifted to her song like a bouquet of yes
because my heart is a parachute that has never opened in time
and I wanna fuck up that pattern,
leave a hole where the cold comes in and fill it every day with her sun,
‘cause anyone who has ever sat in lotus for more than a few seconds
knows it takes a hell of a lot more muscle to stay than to go.
And I want to grow
strong as the last patch of sage on a hillside
stretching towards the lightning.
God has always been an arsonist.
Heaven has always been on fire.
She is a butterfly knife bursting from a cocoon in my belly.
Love is a half moon hanging above Baghdad
promising to one day grow full,
to pull the tides through our desert wounds
and fill every clip of empty shells with the ocean.
Already there is salt on my lips.
Lover, this is not just another poem.
This is my goddamn revolt.
I am done holding my tongue like a bible.
There is too much war in every verse of our silence.
We have all dug too many trenches away from ourselves.
This time I want to melt like a snowman in Georgia,
‘til my smile is a pile of rocks you can pick up
and skip across the lake of your doubts.
Trust me,
I have been practicing my ripple.
I have been breaking into mannequin factories
and pouring my pink heart into their white paint.
I have been painting the night sky upon the inside of door frames
so only moonshine will fall on your head in the earthquake.
I have been collecting your whispers and your whiplash
and your half-hour-long voice mail messages.
Lover, did you see the sunset tonight?
Did you see Neruda lay down on the horizon?
Do you know it was his lover who painted him red,
who made him stare down the bullet holes
in his country’s heart?
I am not looking for roses.
I want to break like a fever.
I want to break like the Berlin Wall.
I want to break like the clouds
so we can see every fearless star,
how they never speak guardrail,
how they can only say fail.
Analysis:
This poem is about love. Gibson talks about falling so hard that she devoted herself to getting this girl. This girl who pole danced to gospel hymns [not literally figuratively]. The pole dancing could refer to her doing something wrong by being gay and to gospel hymns being that the church isn't accepting of her. It is her official sign that she does not care what people think and is going to do what she wants. Which is one of the reasons Gibson falls for her. In this poem, the line "The key to finding love/ is fucking up the pattern on purpose." You have to take a risk to receive a reward. The reward in this case being love. Gibson specifically says in her poem that the girl is awesome. That was it, it came after a verse comparing the girls freckles to the specks of trouble she is then "She's frickin' awesome." Gibson broke the pattern to let her partner know it was love, as simple as that. The poem discusses how the girl makes her better.
Although, the poem isn't just about love. Gibson suffers from depression[as most artists do]. Part of the poem addresses suicide. Gibson says "She swallows my ghosts" the girl takes away what was hurting her, helps her to forget her past.
"Cause I don't wanna be a witness to this life." Gibson doesn't want to live in a world like this so she is looking for a way out. But she wants to forget that pattern and fill everyday with her. She got her out. Love got her out.
This poem addresses how love is a remedy. It soothes and helps. It is the reason for this poem. This is not just another poem. It is a chance for Gibson to speak up and tell her truth. Gibson says " I am done holding my tongue like a bible./ There is too much war in every verse of our silence." By being quiet we open a war within ourselves. It is time we let that war out and establish who we are as people. Gibson doesn't just address love; she addresses how she wants the ability to preach her love despite everything that is wrong around them.